By any standards, Ryoji Ikeda has been given an all-access pass worthy of rock star status: A pair of 40-foot tall screens for his black-and-white visuals; all 55,000 square feet of the Wade Thompson Drill Hall to fill with his stripped-down, sonic sounds; and the blessing of the Park Avenue Armory’s president and executive producer, Rebecca Robertson, to get loud. ... (continue reading)
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Writer, Editor & Content Specialist
WRITER, editor & CONTENT SPECIALIST
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